About:Bibliography

Selected Bibliography

2008
  • Street Art: The Graffiti Revolution, Cedar Lewisohn, Tate Museum, London, England
  • Do Not Give Way to Evil, Photographs of the South Bronx, 1979-1987 Lisa Kahane, powerHouse books
  • The Bronx Transformed, Through One Artist’s Lens David Gonzalez, NY Times, September 15, 2008
  • Stencil Nation: Graffiti, Community, and Art, Russell Howze, Manic D Press, San Franciso, CA
2006
  • New York 2000: Architecture and Urbanism from the Bicentennial to the Millennium by Robert Stern, David Fishman, Jacob Tilove, Monacelli Publishers, NYC
  • Something’s Burning, Art Briefs, Bill O’Driscoll, Pittsburgh City Paper
  • Downtown: Legend, Myth and Institutionalized Caprice, Michael Carter, Tribes Magazine
  • The Downtown Book-New York Art Scene 1974-84, Marvin Taylor, Princeton University Press, NJ
  • David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side by Giancarlo Ambrosino (Semiotext(e)/Native Agents #ISBN101584350350
2005
  • Art: Reviews; Random Acts Of Nature, and Youth by Helen A. Harrison, NY Times March 6 2005
2004
  • East Village USA, Dan Cameron, Carlo McCormick, The New Museum of Contemporary Art, NYC
  • Freddy Fresh Presents The Rap Records, Nerby Publs., LLC, Minneapolis, MN
  • Stencil Pirates, Josh MacPhee, Soft Skull, Brooklyn, NY
2002
  • Adventures in the Counterculture: From Hip Hop to High Times Steven Hager, High Times Books, NY ISBN 1893010147
  • Alternative Art New York 1965-1985, Julie Ault, University of Minnesota Press & The Drawing Center, NYC
  • Yes Yes Y'all: The Oral History of Hip-Hop's First Decade, Jim Fricke and Charlie Ahearn, Da Capo Press
2001
  • A Brush, a Mouse, a Canvas: Mixing Paint & Pixels, Matthew Mirapaul, NY Times June 13, 2001
1999
  • Way Up in the Bronx A Hardy Spirit Blooms, Holland Cotter, NY Times May 7th 1999
  • Billboard Art on the Road, Laura Steward & P. Diggs, Mass MoCA & MIT Press
1997
  • The Lure of the Local: Place in a Multicentered Society, Lucy R. Lippard, New Press, NYC
1995
  • F.Y.I. The City, Jesse McKinley, NY Times May 21, 1995
  • Mapping The Terrain, New Genre Public Art, Suzanne Lacy, Bay Press, Seattle, WA 1995 ISBN 941920305
1993
  • New Visions, New Viewers, New Vehicles: Twentieth-Century Developments in North American Political Art P. Blum, Leonardo, Vol. 26, No. 5, Art and Social Consciousness: Special Issue, pp. 459-466 MIT Press
1992
  • John Fekner at Exit Art by Lois Nesbitt, Artforum International v. 30 (May 1992) p. 120
  • John Fekner at Exit Art, Nancy Princenthal, Art in America v. 80 (July 1992) p. 104
  • Artforum International v. 31 (October 1992) p. 85
1991
  • Review: The Technological Muse Joan Marter, Art Journal, Vol. 50, No. 2, Feminist Art Criticism
1990
  • Examining the Sensitivities of the Political Realm by Helen A. Harrison, Nov 4, 1990; NY Times
  • Engines, Factories and Art, Or the Machine as Muse Malcolm W. Browne NY Times Dec 28, 1990
  • Mixed Blessings: New art in a multicultural America Lucy R. Lippard, Pantheon Books, New York, 1990 ISBN 394577590
1988
  • Art: 'Committed to Print,' on Political Themes, Roberta Smith February 5, 1988, NY Times
1987
  • De-Architecture, James Wines, Rizzoli International, NYC
1986
  • On the Wall 7 Artists who find bigger is better Helen A. Harrison, NY Times Mar 23, 1986
1985
  • Street Art, Allan Schwartzman, Dial Press-Doubleday, NYC
  • Art: Keith Sonnier, Media-Oriented Sculptor, Goes Own Way by Vivien Raynor NY Times Oct 4, 1985
  • Words and Images: A Persistent Paradox, Russell Bowman Art Journal, Vol. 45, No. 4,
  • John Fekner at Semaphore Gallery, Handy, E. Arts Magazine v. 60 (November 1985) p. 139
1984
  • John Fekner Review by Douglas Dreishpoon, Arts Magazine, v. 58 (May 1984) p. 6
  • The East Village Scene, McCormick, Carlo, (catalogue), Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Robinson, Walter and McCormick Carlo
  • Slouching Toward Avenue D, Art in America, Summer, pp. 140 & 157
  • Protest Art' at the Thorpe Intermedia by Vivien Raynor NY Times Feb 19, 1984
  • David Wojnarowicz at Hal Bromm Gallery, Brooks Adams,Art in America v. 72 (May 1984) p. 166-7
1983
  • Ansatzpunkte kritischer Kunst heute by Margarethe Jochimsen, p. 36-39
  • Review: "Art and Social Change, U. S. A.": An Exhibition Journal, Thalia Gouma-Peterson Art Journal, Vol. 43, No. 4, The Issue of Caricature (Winter, 1983), p. 402-408
1982
  • New Work New York at the New Museum by John Russell, NY Times March 19, 1982
  • Art: An Unnatural 'Natural History' by Viviven Raynor, NY Times Jun 25, 1982
  • Words and Wordworks, Clive Phillpot, Art Journal, Vol. 42, No. 2, (Special project)
  • Documenta 7: A Dictionary of Received Ideas Benjamin H. D. Buchloh, October, Vol. 22, (Autumn, 1982), pp. 104-126 The MIT Press
1981
  • Take the A Train Elizabeth Hess, Village Voice, November 12, 1980
1978
  • Artful Dodger, Gerald Marzorati Soho Weekly News, May18-24, 1978 NY
1977
  • The Rise of the Alternative Space by Phil Patton, Art in America, Summer
  • Montezuma and the PS 1 Kids by Grace Glueck, NY Times April 15th, 1977
1974
  • John Fekner at Hundred Acres by John Gruen, Soho Weekly NY

Individual Books and Catalogues

1985
  • Cassette Gazette, Tokyo, Japan: B-Sellers, ISBN-4-938198-14-2.
1983
  • Beauty's Only Screen Deep, Wedge Press, NY Wedge Pamphlet 10
1982
  • Queensites[signed and numbered] Wedgepress & Cheese Bjärred, Sweden ISBN 13: 9789185752324 ISBN 10: 9185752320
1979
  • Stencil Projects: Lund & New York 1978-1979, 800 copies Edition Sellem Galerie S:t Petri Archive of Experimental and Marginal Art, Lund, Sweden